MIRA
Mass 1
09.29.17, Berlin
MIRA was an immersive performance-installation: a directed poem staged on an open film set.
Inspired by Mira, a 98-year-old German woman, who frequently wandered away from her retirement home, found strolling through the streets of Chamissoplatz, attempting to open the doors of cars parked along cobblestoned streets. Holmes' would often walk her back to her residence; Mira, chatting wide-eyed about her past, fostering a connection between the two that has been woven into the narrative of this performance. The performance piece obscures memory and imagination, choreographing an interpreted portrait of her life. Viewers observe the real-time production, blurring lines between performance, film, and audience.The performance program was conceived by The Performance Agency and Supportico Lopez with Archivio Conz.




POEM FOR MIRA
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Has anybody seen a tartan sage wool skirt with a slight mustard yellow
plaid stripe criss-crossing tucked into it a pre-war grey turtle neck with
two legs and two arms, little nose, thin lips and wide eyes running through the streets?
Small body lost in a tartan landscape?
Frail ship sailing through forgotten seas? Scuttling feet that once danced the waltz at the... now scurrying through quick sand?
Picture of a withering dusty frau who has the spirit of Thelma and Louise on a milk carton, have you seen her?
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The day was grey, as pure and opaque and thick as her grey wool stockings
old lass Mira ran away from her retirement home again
her blue eyes, deep set in her archaic sockets like Mayan temples flirtatious with the moon
her sapphire eyes held secure like a rhinestone cowboy on the back of a bucking bronco
her crystal gaze flashes
telepathic historian, professor of herself
her Victorian blouse flutters from the gust of her stride
her wee swollen ankles scurrying across the pavement
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Fade to Gray
a perfect song
a perfect palette
for a stray
an outlaw of age
the gangster of getaways
Los Vegas, Los Mira, lost Mira, Mira lost
caught site of her one day, half a kilometer away from the home
her baby blues winked twice at me
two royal sweeping winks
which said, I am the master of myself and I'm up to no good; I know what I need, who I am, what I was, what I utter, how I sound now and how I sounded before...where I came from, where I am and where I keep trying to get to but lose track of as soon as I set foot out the door, a crying shame, a god damn wasted getaway...I fear nothing but fear itself, so if you could please, I could use a hand blowing out of this popsicle stand.
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She survived storms and lost those she loved, amongst other things
her vintage infrastructure
her vast spinal garden has been crutched by hired scaffolding
paid support systems
paid slack systems
paid pseudo-tender care
that can't quite hold the stack
she is that building that moves and shakes
famous night club
that doesn't quit
she is both the walls who holds her own head and the ceiling, which doesn't collapse on herself
she leaves her own building
she is her own personal concierge and stands witness to her exit
"I saw me leave last Wednesday”
nowhere to be found
When she runs away, she runs north into her fantasy landscape
her imaginative cinematic sunset
the old Volvo transcends into a cavalier
remembering the days she wore tight jeans and a plaid crop top veneer
The days she was a hot mom/dame
hot dame with long brown hair
and outgrown honey blonde highlights
wearing a green and white plaid flannel shirt
buttons down
boobs up
light faded jeans
faux ankle cowboy boots cross desert boot
and a jean jacket
tied around her waste
bee stung lips mouth the words
FOREVER YOUNG
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They used to say Mira does miracles and sets the night on fire
a trail blazing storm that splits the sky
wild-eyed Mira they called her
she'll steal your car, break your heart and leave you wanting more
funny how the body breaks down changes shape
just like a mustang running through the hot desert, with osteoporosis, oil light flashing
I found Mira last Wednesday a la' grand theft auto, again
she hasn't changed a wink.
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